“I like to think of every day as the third day of the rest of my life. I always like to leave the first and second open for damage and repair.” – Misery
I was fortunate to have had the opportunity to travel while growing up. Going out into the world meant finding new experiences, and that included TV shows. I first stumbled across the show “Ruby Gloom” in Italy. Which is quite a funny place to find a Canadian cartoon. The world is small in that regard.
The show was in Italian, which meant that I had no idea what was going on. But the design of the show and the characters stuck with me Eventually, I would find random places to watch “Ruby Gloom,” although, to my disappointment, it wasn’t available on physical media. Which, at the time, showed how easy it was to watch. This was before the streaming boom, after all.
But I eventually found it and became completely enamored with one of the characters: Misery. Misery is the character who faces a lot of disasters, from the major to the minor. And she sometimes is the one who leaves disaster in her wake. The charm of Misery lies with her slightly clueless manners and her strangely positive attitude. Maybe positive is the wrong word. She mainly leans on indifference despite the constant tears on her face.
Given that I can’t find the show on physical media, I didn’t have much hope for other potential merchandise. And I was right to expect not to find anything. There were a few official shirts available, but mainly the merch was crafted by a fan of the show. And even then, there wasn’t a lot of it. Which led me to think, why not try to make a small figure by needle felting?
This was a wild decision since I had only done a relatively small project before, but I love to jump into a challenge!
Check out the Craft section of MCG for more fun patterns in strings and things or more unlimited ideas.
Supplies
For this project, I mainly used a while wool roving for the base and colors to surround the top and give the Misery figure personality. I gathered the following colors of wool roving as well as a handful of 42-gauge needles for this project. And always remember your PPE, getting stabbed is not a pleasant feeling (are you surprised I know what this feels like? I’m more clumsy than I give myself credit for sometimes).
Colors
- Light Purple, torso
- White, collar edge, base of the project
- Black, hair, eyes, gloves, misc. detailing.
- Light Purple, skin
- Light Blue, tears
- Magenta, eye accent and spots (or freckles)
- Dark Purple, neck, skirt, and arms
Process
At the Top
I started the project with the head, which is not a decision I regret. Having the head establish the proportion of the figure early on helps create the final product. One thing I didn’t consider was Misery’s forehead. Misery naturally has an oblong face, so I created an egg shape,e which slowly became longer and longer.
After the head was in a place I liked (the first time), I started working on the eyes. I did one eye at a time, starting on the left. There was a lot more detail in her eyes than I realized. Not only does Misery’s eyes have a unique shape, but also the red from her inner eyelid to consider.
And making a second eye to match the first one way no easy feat. I ended up blocking out the eye first before committing anything to stabbery. In retrospect, doing this for both eyes would have immediately highlighted the issue I was going to run into.
Then I started to block out her hair. Oh, how much hair she had. Misery is interesting because her hair is mostly under a veil, but still very visible. There is a very defined widow’s peak and sloped, shaped strands. And I did not have room to give them the shape they deserved, with the head in egg shape. It needed to grow. And extending her head was not the easiest thing.
But I eventually managed to add enough forehead to get her hair into some semblance of the original character. I also added red freckles everywhere because she does have those spots all over her face, although not as prominent. I kept her hair relatively short with plans to extend it later.
Shaping the Body
Given my mishap with the head, I was a lot more conscious of using a base and modifying the top color than I previously had been. First, I added the white edged color that is her neck. Not having any skin besides the head was a blessing. Necks are hard. I did use full dark purple for the main portion of the neck just because the space was relatively small.
Then it was onto the torso and skirt. Misery only wears one outfit, and it’s very conveniently a full-length dress. I started with the torse first, trying to make an acute triangle. I wanted to have some width on top for the shoulders, but the waistline also needed to be there.
I feel like the shaping ended up looking a bit like a broom on the bottom. The dress she is in gets wider as it goes down, which leads to a kind of handle top and fluffed-out bottom. Once I was happy with the shape, I moved on to adding color.
The bottom half of the dress is dark purple, while the top half of the dress is light purple. Well, I say the top half, but it’s more the torso section. I also added some bead details that run along the torso of the dress to the neck piece.
The Arms
One of the more daunting tasks for me was creating arms. This is where I had to commit to what position Misery was standing. I went with a pose where she has one arm down and another up, holding a staff. This was a bad decision because I didn’t realize how hard it would be to create a staff. But that’s for later….
All that was left was covering the arms in a dark purple, matching the bottom half of the dress. I thought covering the wool with color would be easy. And it wasn’t exactly hard, but it did take more wool than I anticipated. And the shape was not the easiest thing to cover.
The arm on her side was easy enough. Just a bit of a shaped blob. The arm that was out was a bit more difficult as her sleeve as quite a bit of structure. Misery’s sleeve is like that of a bat with three different points, each getting longer as it pulls away from the body. Taking into consideration, the elbow bend was also quite a challenge.
The Staff
What in the wide world possessed me to make a staff? That feels like one of the most foolish decisions I’ve made in a craft in a while. Not only that, but I didn’t build a core, so the rigidity of the staff came entirely from being compacted by the felting needle. Getting the right shape took a long time. Honestly, I feel like I’d spent more time on the staff than the body.
One thing that got me was the spider web wrapping around the staff. I could not get the wool to be that thin of a line with that rigid of a structure. No matter what I did, it just wasn’t working. So, I went with a mixed medium solution of using yarn. The yarn already has shape. It was a bit thicker than I wanted, but keeping that shape mattered to me more.
Finally, I stabbed the staff in her hand and realized quickly that the staff wasn’t going to consistently keep in shape. I wanted Misery to have a steady structure, no matter how she was handled. And the staff did present a bit of a problem with that.
The Hair and Base
The solution I came up with to position her staff was to create a base for her to stand on. This would anchor not only Misery but her staff as well. It was at this time that I really wish I had woven a metal wire into the staff (but I’m sure that would have caused a whole slew of different problems). I created a base that kind of looked like a stone that was shaped into soap for some reason… Not sure why. But the base did provide a good stand for Misery.
Then I went on to tackle her hair. Misery has long hair, not short like I’ve kept it. I was worried that adding layers would cause some issues, but it turned out well. Then I realized that Misery wears a veil, and I had a panic attack. I had no idea how I was going to pull that off. I thought about doing mixed media with fabric, but that proved to be a bit too difficult. So, leaving her hair out was the easiest choice.
Reflections
I love her. Misery is one of my favorite characters, and I am so excited to have made this. Is it rough around the edges? Yes, very much. I want to apply a polishing method to get rid of the fuzzies, but I’m still doing research. If I went back in time, I would not have given her a staff (or I would have figured out how to do a wire center). But, for a first attempt, I really love how she turned out.
Lessons
What is Finishing?
Getting rid of the fuzzies is something I was hesitant to do, but I did research how I could. There were many different methods that I found. Some from stabbing more, some are about wrapping in clear wrap, and some are about cutting away the frizz. From what I can tell, the best method is a combination of the two. One stab as much as possible, and two cut away the extra frizz. This is the most effective method I have found so far, but I am waiting to implement it until I’m more confident.
Pattern
Needle Felted Misery
Ingredients
- 1 42-guage felting needle
Wool Roving
- White collar edge, base of the project
- Black hair, eyes, gloves, misc. detailing.
- Light Purple skin
- Light Blue tears
- Magenta eye accent and spots (or freckles)
- Dark Purple neck, skirt, and arms
- Medium Purple torso
Instructions
- Use light purple wool to construct a long oval orb (like an egg) White roving can be used for core and covered with light purple roving. Use magenta, black, white, and light blue to add facial and hair detailing.
- Create a flat disk white with indents. Attach to the base of the head. Use dark purple to create a cone off the disk (the neck)
- Using white roving, shape the body. Cover with medium and dark purple.
- Use white roving to shape the arms, cover with dark purple.
- Use black wool to extend the hair and shape. The hair can be used to help the figure stand long enough.

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